Upcoming Releases

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The United Kingdom’s greatest cult band Uncle Acid & the Deadbeats are to return with their fourth full-length studio album The Night Creeper on September 4 via Rise Above Records. In support of the release they will also be embarking on their largest and longest tour to date, with a variety of US shows which can be viewed below.
 
Recorded at Toe Rag Studios in early 2015 with engineer Liam Watson (White Stripes, Tame Impala, Electric Wizard), The Night Creeper oozes louche evil. Hear flesh-melting riffs that creep like hot magma bubbling up through the earth’s crust combine with an ear for melody born out of the bands love for girl groups like The Ronettes and The Shangri-La’s. This is Sabbath-meets-Spector and it’s a heady combination.
 
The Night Creeper has a distinct concept as a starting point. “The idea is that this album could have started life as an old cheap, grime-covered 25 cent pulp paperback like the type sold at news-stands outside train stations,” says enigmatic band leader Kevin Starrs. “But then perhaps it is adapted into a film noir, which itself is then re-made twenty years later as an ultraviolent, slasher Italian Giallo film. The album follows this aesthetic lineage as it descends from trash to noir to something discernibly darker...”
 
Uncle Acid & the Deadbeats have been called many things: a subversive, dark-hearted, pop band who sing about death and murder; a psyche-frazzling heavy psychedelic band; the greatest cult quartet in the British rock scene by a country mile; the heirs apparent to the dark satanic majesty of both The Beatles and Black Sabbath. They exist in their own self-created world; hoovering up trash/pop culture and spitting it back out in hot chunks of finely hewn riffola and righteous rock ‘n roll noise.
 
Uncle Acid & the Deadbeats’ breakthrough album Blood Lust (2011) was an homage to British Hammer and folk horror films of the 1970s, a candle-lit head-trip of withered hands, ritual knives and gallows ropes. Mind Control (2013) looked further afield, to the post-Charles Manson US for inspiration: Jim Jones dosing the Kool-Aid, Blue Cheer, Blue Oyster Cult, B-movie biker movies, war, Watergate, serial killers, and suicidal TV evangelists. Now comes The Night Creeper, their darkest journey yet.

The Night Creeper will be released on September 4 via Rise Above Records. Check out the band’s North American tour dates below.
 
Tour Dates
 
9/9 at Center Stage in Atlanta, GA
9/11 at Baltimore Sound Stage in Baltimore, MD
9/12 at Webster Hall in New York, NY
9/13 at Union Transfer in Philadelphia, PA
9/14 at Royale in Boston, MA
9/16 at Corona Theater in Montreal, QC
9/17 at Phoenix Theater in Toronto, ON
9/18 at Mr. Smalls in Pittsburgh, PA
9/19 at Metro in Chicago, IL
9/20 at Mill city Nights in Minneapolis, MN
9/22 at Summit Theater in Denver, CO
9/23 at Urban Lounge in Salt Lake City, UT
9/25 at Commodore Ballroom in Vancouver, BC
9/26 at El Corazon in Seattle, WA
9/27 at Wonder Ballroom in Portland, OR
9/29 at Slims in San Francisco, CA
9/30 at Slims in San Francisco, CA
10/1 at The Fonda Theater in Los Angeles, CA
10/2 at The Observatory in Santa Ana, CA


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Toronto legend k-os’ insightful approach to music making has proven he is an artist with boundless limits, and certainly not one that appeases to fluctuating mainstream trends, in which his 2005 Grammy Nomination can attest. It’s been 10 years since k-os’ transformative sophomore release, Joyful Rebellion, and the artist has spent the past decade trying to explore the movement of hip-hop into infinite new possibilities. Now, k-os is proud to reveal his new album Can’t Fly Without Gravity out on August 28 via Dine Alone Records. In anticipation for the full release, we are now getting a preview with single Spaceship” which premiered on Okayplayer.
 
“Spaceship” is a self-affirming track with spirited choruses and confessional verses that offer a glimpse of what youth was like for the hip-hop visionary and what lead him to music in the first place. The MC makes a firm pledge to truth and ideals and accepts the isolation that may come with it. K-os admits it was a hard track to release:
 
“I was initially scared to release this song - it was supposed to be on my last record Black On Blonde, but I was too shook to release it. It's a vulnerable tune. Sometimes in rap you always wanna present the hardest most secure side of yourself. So when you create a track that embodies a child like essence it's confusing simply because you're not a child anymore. At the end of it all 'Spaceship' takes me back to the record JoyfuL RebelLion - before I was known and before I had an image to protect. It’s like a short biography of my rap life. And even though it's not the hardest or darkest track in the world, fact is human beings aren't always hard and dark. How would  you know what was dark If you didn't experience the light? A knife can't cut itself.”
 
Can’t Fly Without Gravity captures all of the different sides that make up k-os’ musical DNA. It’s an affirmation that  “the forces which pull you down are simply put there to inspire you to rise above them’ and promises to be a more stripped-down, holistic effort than its highly conceptual predecessor, Black on Blonde. However, the rock vs. rap dialectic at that album’s core still guides k-os on a more philosophical level. It’s not just a question of reconciling disparate musical styles, but of different workflow strategies. To be k-os in 2015 is to find the happy medium between hip-hop’s penchant for rapid-fire releases and perpetual stylistic mutation with a more measured approach and timeless aspirations of rock n roll artists—all while engineering his music for a post-EDM pop landscape that has not only changed listeners’ tastes, but their very physiology. Welcome to the great beyond.
  
Upcoming tour dates:
August 8 – Squamish, BC – Squamish Valley Music Festival 2015
September 5 – Edmonton, AB – Sonic Boom Festival
September 6 – Calgary, AB – X Fest
*more tour dates to be announced soon


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For Savannah, GA’s Kylesa, made up of Phillip Cope, Laura Pleasants and Carl McGinley, their seventh album, Exhausting Fire via Season of Mist, provides a crowning example of the positive output that comes at the hands of their incendiary and powerful, yet nuanced and colorful framework. Due out October 2, Kylesa has just shared the lead single from Exhausting Fire, “Lost and Confused.” The track is now available to hear and share onSoundcloud. In support of the release they will also be embarking on a tour across the US, tour dates are below.
 
Following on the heels of the artistic broad jumps the band has exhibited since forming in 2001, Exhausting Fire hurls even more rulebook pages out the tour van window as Kylesa further explore and incorporate psychedelic rock, new wave, space-age twangy Americana, 80s goth and death rock into their pitch-thick DIY punk/metal roots. But as much as change is a constant in their world, there exists connective tissue to the past despite Exhausting Fire being the most diverse, dynamic and fully-realized work of their discography.
 
In writing Exhausting Fire, the trio found themselves culling inspirations before getting together in various permutations at various times to wade through the amassed collections of riffs and ideas stockpiled before, during and after the punishing Ultraviolet tour schedule. Another curve Exhausting Fire throws at the listener is the manner in which the co-vocalists emerge sounding infinitely more comfortable and confident working as an integrative unit. The pair expertly dodge and weave around one another as an homage to the stratified spirit of their psychedelic influences while respecting the context of the song.
 
Captured at the familiar confines of the Jam Room in Columbia, SC, Exhausting Fire sees the trio immersing themselves deeper into themselves and their own process by refusing to hire an outside producer to assume Cope’s position. In fact, he reports having additional engineering duties dropped into his production seat, and spending more hours than ever working behind the board. In that sense, it’s not difficult to take the band at their word when Cope describes Exhausting Fire as “an album we really put our hearts on our sleeves for. We’ve always done that, but emotionally, it’s probably the most honest and raw album we’ve ever done.”
 
“No band sounds like us and we don’t sound like any other band,” concludes Pleasants. “After all these years of experimenting with different styles and sounds, we’ve really developed our own thing and I can faithfully say that we sound like us. With this album, we’ve successfully made a record that incorporates all the elements we’ve always played with into a record that works on its own.”
 
Tour Dates
8/29 in Durham, NC at Motorco
8/31 in Charlottesville, Va at The Southern
9/1 in New York, NY at Gramercy Theater
9/2 in Montreal, QC at Cafe Campus
9/3 in Toronto, ON at Mod Club Theater
9/4 in Chicago, IL at Reggie's
9/5 in St. Louis, MO at Ready Room
9/6 in Louisville, KY at Zanzabar
9/7 in Augusta, GA at Sky City
10/6 in St. Petersburg, FL at State Theatre
10/7 in Miami, FL at Grand Central
10/8 in Orlando, FL at The Social
10/9 in Savannah, GA at Jinx
10/10 in Asheville, NC at New Mountain
10/13 in Columbus, OH at The Basement
10/14 in Grand Rapids, MI at Pyramid Scheme
10/16 in Cleveland, OH at Grog Shop
10/17 in Pittsburgh, PA at Altar Bar
10/19 in Boston, MA at Brighton Music Hall
10/20 in Philadelphia, PA at Black Box at Underground Arts
10/23 in Richmond, VA at The Broadberry
10/24 in Washington, DC at Rock & Roll Hotel
10/25 in Atlanta, GA at The Drunken Unicorn
11/6 in Pomona, CA at The Glass House
11/7 in Los Angeles, CA at The Fonda Theatre
11/8 in San Francisco, CA at The Fillmore
11/10 in San Diego, CA at The Irenic
11/11 in Phoenix, AZ at Club Red
11/13 in Austin, TX at Red 7
11/14 in Houston, TX at Warehouse Live
11/15 in Dallas, TX at The Prophet Bar
11/17 in Colorado Springs, CO at The Black Sheep
11/18 in Denver, CO at Summit Music Hall
11/19 in Salt Lake City, UT at The Complex
11/20 in Boise, ID at Neurolux
11/21 in Portland, OR at Hawthorne Theatre
11/22 in Seattle, WA at The Crocodile


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On the heels of two platinum Greek releases, headlining major festivals and gracing the covers of music and fashion magazines in her homeland, Monika is thrilled to announce her 3rd studio album, Secret In The Dark, available October 2 worldwide via Other Music Recording Co. Recorded at the Daptone-renowned Dunham Sounds Studios (Sharon Jones, Charles Bradley, Dan Auerbach) and produced by Dap-Kings & Menahan Street Band founding member Homer Steinweiss, the album breathes generational genre-spanning influences.
 
A distinctly New York album with a breezy Mediterranean heart, Secret In The Dark is a cunningly crafted record of ‘80s art pop infused with organic leftfield disco tones. Title track “Secret In The Dark” calls upon the genre’s forefathers with its own contemporary edge and irresistible bass line. Featuring Andrew Wyatt (Miike Snow, Mark Ronson), “Shake Your Hands” is a soulful dancefloor-ready single of layered horns, funky guitar, vocals and percussion that build to an epic breakdown. Syncopated, operatic vocals slice into shimmering synths and driving bass, creating a dark, ethereal soundscape on “Stripping.” 
 
“Stripping” premieres with 
FADER and is available to post & share HERE!
 
Amassing a dream-team of musicians, Homer Steinweiss, Thomas Brenneck, Nick Movshon, Victor Axelrod, Leon Michels, and others from the Brooklyn scene join Monika on Secret In The Dark. Fans will have a special early chance to experience the funk-pop extravaganza live at Brooklyn’s Union Pool on July 9. Be sure to catch Monika live and stay tuned for more news coming soon!


News

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09/01/2015, Escort Drops "Body Talk" w/ Vulture, Frontwoman Adeline Michèle Feat. By Madwell + NYC & Chicago Dates
09/01/201509/01/2015, Escort Drops "Body Talk" w/ Vulture, Frontwoman Adeline Michèle Feat. By Madwell + NYC & Chicago Dates
Announcement
09/01/2015
Announcement
09/01/2015
NYC’s Escort will release their highly anticipated sophomore full-length album Animal Nature on October 30th via Escort Records. The record stays on the forefront of modern disco, touching upon a new era of not-so-underground dance music that fans have come to expect. MORE» More»

NYC’s Escort will release their highly anticipated sophomore full-length album Animal Nature on October 30th via Escort Records. The record stays on the forefront of modern disco, touching upon a new era of not-so-underground dance music that fans have come to expect.  Effortlessly blending music and style, powerhouse front-woman Adeline Michèle was recently featured on Madewell’s Every Day Madewell campaign.
 
Today, the band shares the irresistible dance-pop album opener Body Talk” featuring immediately grabbing keyboard rhythms, lush strings, and catchy vocals.  Paying homage to the classics while still remaining fresh and modern, Escort stands out, in part, by creating dance music the old fashioned way: with impeccable production, musicianship, and songwriting.
 
Body Talk” premiered today with New York Magazine’s Vulture.
We encourage you to post and share!
 
Animal Nature is a follow up to their critically acclaimed debut which saw them on the cover of The Village Voice and was dubbed one of the “Best Albums of 2012” by both SPIN andRolling Stone.  Founded by Eugene Cho & Dan Balis and fronted by the tremendous vocals of lead singer Adeline Michèle, the band has become a dance floor staple, revered for their irresistible blend of disco, funk & soul.
 
In celebration of the new record, Escort is set for two select dates in New York and Chicago. Stay tuned as more are announced!

Announcement
09/01/2015

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09/01/2015, Bikini Kill Reveal "Ocean Song" w/ The New York Times + RGSN Reissue Out Sept. 22
09/01/201509/01/2015, Bikini Kill Reveal "Ocean Song" w/ The New York Times + RGSN Reissue Out Sept. 22
Announcement
09/01/2015
Announcement
09/01/2015
Release Format
Album
The infamously fierce feminist punk pioneers, Bikini Kill, offer a glimpse into the history of their very first demo tape, the feminist punk movement, riot grrrl, and reveal the previously unreleased “Ocean Song” today with The New York Times. MORE» More»

The infamously fierce feminist punk pioneers, Bikini Kill, offer a glimpse into the history of their very first demo tape, the feminist punk movement, riot grrrl, and reveal the previously unreleased Ocean Song” today with The New York Times. The track comes in anticipation of the band’s Revolution Girl Style Now reissueset for release onSeptember 22 via Bikini Kill Records that features three previously unreleased songs: “Playground”, “Ocean Song”, and “Just Once.”
 
The Revolution Girl Style Now demo tape was originally self-released in May of 1991. The demo was recorded by Pat Maley at the ABC House in Olympia, WA earlier that year. Bikini Kill played one of their first shows at the house the night before and left their equipment set up to record the demo the next day. For this reissue, the songs were mixed by Guy Picciotto (Fugazi) and mastered by John Golden.
 
Ocean Song” premiered with The New York Times today.
We encourage you to post and share!
 
Comprised of Kathleen Hanna (vocals), Tobi Vail (drums), Billy Karren (guitar), andKathi Wilcox, Bikini Kill was a feminist punk band based in Olympia, WA and Washington DC, forming in 1990 and breaking up in 1997. Bikini Kill actively encouraged women to start bands as a means of cultural resistance and used touring as a way to create an underground network between girls who played music, put on shows and made fanzines. This informal network created a forum for multiple female voices to be heard and built a feminist community through the punk scene.

Announcement
09/01/2015

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09/01/2015, Food Film Fest Announces Official Selections for Charleston 2015!
09/01/201509/01/2015, Food Film Fest Announces Official Selections for Charleston 2015!
Announcement
09/01/2015
Announcement
09/01/2015
The Food Film Festival™, the only film festival in the world where guests get to taste what they see on the screen as they watch, will return to Charleston for the 3rd time, this November 11th-13th at The Cedar Room. MORE» More»
The Food Film Festival™, the only film festival in the world where guests get to taste what
they see on the screen as they watch, will return to Charleston for the 3rd time, this November 11th-13th at The Cedar Room. The Festival returns to Charleston with a mind-blowing line-up of screenings that range from the wildly stunning to just plain wacky. Created, directed and hosted by Travel Channel personality and food filmmaker, George Motz, The Food Film Festival is an unexpectedly delightful evening of viewing and tasting.
 
The three-day festival kicks off with an exclusive opening night screening of the World Premiere of Anthony Bourdan: Parts Unknown - Charleston, presented by CNN and features a wide-array of films from around the world as well as local selections such asCuda, about Summerville, S.C.’s iconic delicacy, the Frank Cuda hot dog, and Frank’s restaurant in town. Also on the bill is Cultured Craft Beer, a film about Charleston’s buzzing brewery scene.
 
See the list of the Charleston screenings below:
 
Anthony Bourdain: Parts Unknown “Charleston” episode
Dir. Michael Steed (for CNN), 52 minutes, World Premiere
With chef Sean Brock as his guide, Bourdain explores the deep-rooted culture and terroir of South Carolina’s low country and is accompanied by Charleston resident, Bill Murray for dinner at Brock’s acclaimed restaurant Husk.
 
Balls!
Dir. Charles Grantham, 1:57, Charleston Premiere
Food Porn star, Larry Cauldwell, breaks new ground with his latest film... A rap video about his famous balls!

Ca'lumaco 
Dir. Francesco Piras, 9:00, US Premiere
The Ferri's life on the mountain.
 
Cuda 
Dir. David J. Murphy, 9:51, World Premiere
Perry Cuda, owner and operator of Perfectly Franks, a restaurant in downtown
Summerville S.C., discusses the creation of the iconic Frank Cuda hot dog, the
importance of his employees, and his philosophy on running a good business.
 
Cultured Craft Beer 
Dir. Tony Tassarotti, 20:00
The culture of Charleston craft beer.
 
Food, Friends & Family 
Dir. Joe Clifford, 3.34, Charleston Premiere
Food brings everyone together.
 
Fork and Beans: Gluten-Free Moon Pie 
Dir. James Mann, 3:08, Charleston Premiere
In this atmospheric recipe film, gluten-free food blog Fork and Beans shares a
recipe for homemade Moon Pies.
 
Gin Tonic Black 
Dirs. Missisi & Jonnzo, 1:26, Charleston Premiere
An homage to the famous Gin Tonic. Timeless. Tasteful.
 
Growing Local: Seeding a Dream 
Dir. Bridget Besaw, 15:00, Charleston Premiere
The story of a young farm couple who, on risky sweat-equity, have revitalized a
fertile piece of farmland into a thriving community food hub.
 
La botanique des Amours
Dir. Anne-Sophie Cayon, 4:28, Charleston Premiere
Plants have an affective life, some even go as far as to speak about love.
 
Pasta with ratatouille
Dir. Massimo Zambiasi, 2:54', Charleston Premiere
A close-up view of the preparation of a most decadent dish.  
 
Rosemary Gin Smash
Dir. James Mann, 2:10, Charleston Premiere
This film details the making of a rosemary-infused Gin cocktail with a spiced
agave syrup and cranberry garnish.
 
SlowBerry 
Dir. Mike O'Toole, 1:22, Charleston Premiere
Jade is bored and decides to make herself something good and natural to eat from the hedgerow.
 
Sollo 
Dir. Diego Erreka, 11:00, US Premiere
Gastronomy. Art. Culture. An exclusive invitation into the creative world of Diego
Gallegos "The caviar chef" and his creation based on the traditional Spanish
"Fiesta de La Matanza" (Pork Sacrifice Feast) but with an unexpected twist.
 
Follow The Food Film Festival
Facebook
www.facebook.com/foodfilmfest
Twitter
www.twitter.com/foodfilmfest
Instagram
www.instagram.com/foodfilmfest
Pinterest
www.pinterest.com/foodfilmfest
Flickr
www.flickr.com/foodfilmfest 
 
The Food Film Festival™ thanks these fine partners for their support: In The Raw, High Wire Distilling Co., Home Team Public Relations and Events, The Cedar Room, and CNN.
Announcement
09/01/2015

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08/31/2015, Low Cut High Tops Shares Track Via SoundCloud
08/31/201508/31/2015, Low Cut High Tops Shares Track Via SoundCloud
Announcement
08/31/2015
Announcement
08/31/2015
This week, one man band and Seattle native Low Cut High Tops shared his edgy track "Coming Onto You" via soundcloud. MORE» More»

This week, one man band Low Cut High Tops shared his edgy track "Coming Onto You" via soundcloud. This comes not long after his released his near viral cover of The Weeknd's 
"I Can't Feel My Face." You can hear "I'm Coming Onto You" HERE.

Announcement
08/31/2015

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08/31/2015, Pony Boy Reveals "When Tomorrow Never Comes" Video via Elmore. Debut Album Blue Gold Out Now
08/31/201508/31/2015, Pony Boy Reveals "When Tomorrow Never Comes" Video via Elmore. Debut Album Blue Gold Out Now
Announcement
08/31/2015
Announcement
08/31/2015
Directed by fine art photographers Joaquin Trujillio and Brian Paumier (who shot Blue Gold album art) this past July in Trujillio's hometown of Jerez and Zacatecas, Mexico, this is the latest stunning reveal from Pony Boy’s debut album Blue Gold (out now via Nashville imprint Cosmic Thug Records). MORE» More»

Today Pony Boy premieres the new video for “When Tomorrow Never Comes” via Elmore Magazine.
 
Directed by fine art photographers Joaquin Trujillio and Brian Paumier (who shot Blue Gold album art) this past July in Trujillio's hometown of Jerez and Zacatecas, Mexico, this is the latest stunning reveal from Pony Boy’s debut album Blue Gold (out now via Nashville imprint Cosmic Thug Records).
 
Blue Gold inhabits a dream state between art rock and alt-country, swaying between hope and lament, her velvety voice punctuated with sharp edges.
 
Still, great humanistic soul belies her feminist punk ethos. “I love the intimacy of singer-songwriter records, dimensions to your voice, people who don’t exist in a scene,” she says. The fact that Pony Boy (real name Marchelle Bradanini) and her English writer/director husband lived between Nashville, England and Australia, during the formation of Blue Gold, in turn, lends a sprawling feel to her tracks.
 
The first single off Blue Gold Marquee Man is a smoky and seductive satire about an actor with an ego that is so inflated; he’s a legend in his own mind. Combining her signature sultry vocals with subversive feminist lyrics, the bluesy lead single is one of many gems to be found on the album.
 
A sense of flight and modern nomadism is manifested throughout Blue Gold including the ambling, guitar-kissed Metal Dreams” which was the first taste revealed from the album and premiered via Black Book.
 
Blue Gold follows the release of Pony Boy’s breakout 2014 EP The Devil In Me.
 
Pony Boy Upcoming Shows
9/2: Los Angeles, CA @ 432 Fairfax
9/16: Nashville, TN @ Americana Fest
10/10 Nashville, TN @ The 5 Spot

Announcement
08/31/2015