CAVEMAN Announce New Album CAVEMAN Out 4/2 via Fat Possum Records

First Single “In The City” Premiered By NPR All Songs Considered SoundCloud HERE


31 City North American Headline Tour Starts 2/26: Including SXSW and Homecoming New York show at Webster Hall on 4/10

On their self-titled sophomore album Caveman stretch their legs in a number of different, albeit cohesive, directions. Their highly anticipated return will come out in America via Fat Possum Records on April 2nd, and the first single “In The City” is being revealed today via NPR’s All Songs Considered. Head over to the band’s SoundCloud HERE.

Caveman—a five-man vibe collective from NYC—released their first album in 2011. As first albums go, CoCo Beware was something akin to a moody statement of intent, a blueprint for a band quickly learning how to create horizon-wide rock songs that were equal parts intimate and expansive. Initially self-released and later snatched up by Fat Possum for re-release in early 2012, the record brims over with four-part harmonies, crystalline guitar lines, and tracks that see-sawed between echoey lullaby (“A Country’s King of Dreams”) to shoegaze-by-way-of classic-FM-radio sprawl (“Old Friend”). The album quickly elevated Caveman from local band to watch to a sizable touring draw and formidable live act, as evidenced by stints on the road with the likes of The War on Drugs, White Rabbits and Built to Spill. Despite being the work of a brand new band, CoCo Beware displayed a kind of Zen-like ease. It was the sound a five friends settling into a nice groove; the music that happens when, for whatever reason, a lot of seemingly disparate elements finally fall into place.

“We all went up to Jimmy’s grandmother’s place in New Hampshire,” says singer Matthew Iwanusa. “That’s where the new record kind of started. It was literally the attic of her barn, lit up by Christmas lights. We’d all sit in this one room together and one by one we’d all go into the bathroom and record ourselves making the most psycho noises possible. It actually felt kind of like a weird breakthrough. We were all confident and comfortable enough with each other to try out these experiments, which extended itself into the making of the new record…which is really just an evolution of this vibe that we’d been cultivating for long time.”

With that, the guys holed up in Brooklyn’s Rumpus Room to start recording in earnest with Nick Stumpf (who produced the band’s debut album) and Albert Di Fiore behind the controls. The album is a kind of sonic microcosm—a series of emotional yet tough mini-narratives operating within the same quixotic musical universe.

As a result, the guitars on Caveman are bigger and more expansive, the rhythm section is tighter and more adventurous, the keyboards more opaque and pronounced. Like a marriage between Tangerine Dream, late period Slowdive, and Lindsey Buckingham, tracks like their new single “In the City” and “Ankles” boast synth lines that sound simultaneously retro and futuristic, while “Pricey” and “Never Want to Know” overflow with guitar sounds that could have miraculously floated off an old Cure album. It should be noted that James Carbonetti, the band’s primary guitar player, also happens to be one of the most highly regarded guitar makers in New York City.

And while Caveman’s music could certainly operate on the level of dreamy soundscape and still be excellent, the depth of feeling in front man Matthew Iwanusa’s lyrics helps weave the songs deeply into your memory. When Iwanusa sings Where’s the time to waste on someone else’s life? on “Where’s the Time,” it’s hard not to read between the lines. Wonder and regret seem to fuel the record in almost equal measure.

Caveman - CAVEMAN tracklisting:
01 -- Strange to Suffer
02 -- In the City
03 -- Shut You Down
04 -- Where's the Time
05 -- Chances
06 -- Over My Head
07 -- Ankles
08 -- Pricey
09 -- I See You
10 -- I Never Want to Know
11 -- The Big Push

Caveman tour dates (more to be announced):
Tue, Feb 26 – New Haven, CT @ Café Nine
Wed, Feb 27 – Cambridge, MA @ The Sinclair

Thu, Feb 28 – Montreal, QC @ Casa Del Popolo
Fri, Mar 01 – Toronto, ON @ Lee’s Palace

Sat, Mar 02 – Detroit, MI @ Garden Bowl

Mon, Mar 04 – Bloomington, IN @ The Bishop
Tue, Mar 05 – Chicago, IL @ Schubas 
INFO
Wed, Mar 06 – Minneapolis, MN @ 7th St. Entry

Thu, Mar 07 – Kansas City, MO @ Record Bar
Fri, Mar 08 – St. Louis, MO @ Old Rock House

Sat, Mar 09 – Oxford, MS @ Lamar Lounge

Mon, Mar 11 – New Orleans, LA @ Hi Ho Lounge
Tue, Mar 12-17 – Austin, TX @ SXSW (details TBD)

Mon, Mar 18 – Albuquerque, NM @ Low Spirits

Tue, Mar 19 – Denver, Co @ Larimer Lounge

Wed, Mar 20 – Salt Lake City, UK @ Urban Lounge

Fri, Mar 22 – Las Vegas, NV @ Beauty Bar

Sat, Mar 23 – Visalia, CA @ The Cellar Door

Sun, Mar 24 – Sacramento, CA @ Blue Lamp
Tue, Mar 26 – San Francisco, CA @ The Independent

Thu, Mar 28 – Los Angeles, CA @ Troubadour

Fri, Mar 29 – San Diego, CA @ Casbah

Sat, Mar 30 – Tucson, AZ @ Club Congress

Mon, Apr 01 – Austin, TX @ The Parish
Tue, Apr 02 – Denton, TX @ Dan’s Silverleaf
Thu, Apr 04 – Birmingham, AL @ The Bottletree

Fri, Apr 05 – Nashville, TN @ The High Watt

Sat, Apr 06 – Atlanta, GA @ Drunken Unicorn

Sun, Apr 07 – Chapel Hill, NC @ Local 506
Tue, Apr 09 - Washington, DC @ Black Cat Backstage
Wed, Apr 10 – New York, NY @ Webster Hall

Thu, Apr 11 – Philadelphia, PA @ Johnny Brenda’s

CAVEMAN is:
Jeff Berrall - bass, backing vocals
James Carbonetti - guitar
Sam Hopkins - keys, backing vocals
Matthew Iwanusa - vocals, guitar, percussion
Stefan Marolachakis - drums, backing vocals

For more on Caveman, to receive the full album for review or to talk with the band in your town, please reach out to Inge@girlie.com 212-989-2222. x133

CAVEMAN // CAVEMAN
April 2, 2013 // Fat Possum

Caveman—a five-man vibe collective from NYC—released their first album in 2011. As first albums go, CoCo Beware was something akin to a moody statement of intent, a blueprint for a band quickly learning how to create horizon-wide rock songs that were equal parts intimate and expansive. Initially self-released and later snatched up by Fat Possum for re-release in early 2012, the record brims over with four-part harmonies, crystalline guitar lines, and tracks that see-sawed between echoey lullaby (“A Country’s King of Dreams”) to shoegaze-by-way-of classic-FM-radio sprawl (“Old Friend”). The album quickly elevated Caveman from local band to watch to a sizable touring draw and formidable live act, as evidenced by stints on the road with the likes of The War on Drugs and Built to Spill. Despite being the work of a brand new band, CoCo Beware displayed a kind of Zen-like ease. It was the sound a five friends settling into a nice groove; the music that happens when, for whatever reason, a lot of seemingly disparate elements finally fall into place.

On their self-titled sophomore album Caveman stretch their legs in a number of different, albeit cohesive, directions. While the dreaded second album experience tends to be fraught for many bands, in the case of Caveman it proved to be the opposite. Having ridden a fast-growing wave of support for CoCo Beware—which, after two years of touring, ultimately culminated in a series of big hometown NYC shows—recording a follow up proved to be a genuine good time for the band.

“We all went up to Jimmy’s grandmother’s place in New Hampshire,” says singer Matthew Iwanusa. “That’s where the new record kind of started. It was literally the attic of her barn, lit up by Christmas lights. We’d all sit in this one room together and one by one we’d all go into the bathroom and record ourselves making the most psycho noises possible. It actually felt kind of like a weird breakthrough. We were all confident and comfortable enough with each other to try out these experiments, which extended itself into the making of the new record…which is really just an evolution of this vibe that we’d been cultivating for long time.”

With that, the guys holed up in Brooklyn’s Rumpus Room to start recording in earnest with Nick Stumpf (who produced the band’s debut album) and Albert Di Fiore behind the controls. They routinely turned out all the lights in the studio and “vibed out the space” while recording, which makes sense given the warm, big room feeling that saturates the record. The album is a kind of sonic microcosm—a series of emotional yet tough mini-narratives operating within the same quixotic musical universe.

It’s fair to say that the songs on Caveman benefited from a solid year of touring on the band’s part. “We really learned how to play together,” says keyboardist Sam Hopkins, “the shorter songs from the first record got longer and longer when we played them live. We learned how to stretch ourselves in different ways.” As a result, the guitars on Caveman are bigger and more expansive, the rhythm section is tighter and more adventurous, the keyboards more opaque and pronounced. Like a marriage between Tangerine Dream, late period Slowdive, and Lindsey Buckingham, tracks like their new single “In the City” and “Ankles” boast synth lines that sound simultaneously retro and futuristic, while “Pricey” and “Never Want to Know” overflow with guitar sounds that could have miraculously floated off an old Cure album. (It should be noted that James Carbonetti, the band’s primary guitar player, also happens to be one of the most highly regarded guitar makers in New York City.) And while Caveman’s music could certainly operate on the level of dreamy soundscape and still be excellent, the depth of feeling in front man Matthew Iwanusa’s lyrics helps weave the songs deeply into your memory. As is the case with many a band on the rise, the price of popularity often comes at the surprise expense of everyone’s own personal life; a topic that fuels many of the record’s best tracks. When Iwanusa sings Where’s the time to waste on someone else’s life? on “Where’s the Time” it’s hard not to read between the lines. Wonder and regret seem to fuel the record in almost equal measure.

“We all got so close since the making of the last record,” explains Carbonetti, “Eventually it was like all of our lives were kind of blending together and several of us found ourselves going through the same kinds of struggles in our personal lives. We also realized that we all kind of loved each other—that we’d passed the friend test—and that we all just wanted to hang out together all the time, basically. All of those feelings eventually bled into the record we ended up making.”

The words “dreamy” and “cinematic” and “vibe” might be some of the most lazily overused descriptors in the music-writers lexicon, but it’s hard to think of another contemporary band that so completely embraces those terms as both an adjective for what they do and as a goal for the art they are trying to make. “A lot people don’t relate to the idea of cinematic music—something that sounds like a film soundtrack—but I love that notion,” says Iwanusa. “I love music that conjures a mood, sets a tone, and inspires a certain kind of visual. I hope people can get that from this record: a sound that accompanies this big ship flying through the trees, this big, crazy light that just fills up the sky.”

CAVEMAN is:
Jeff Berrall - bass, backing vocals
James Carbonetti - guitar
Sam Hopkins - keys, backing vocals
Matthew Iwanusa - vocals, guitar, percussion
Stefan Marolachakis - drums, backing vocals

CAVEMAN tracklisting
1 -- Strange to Suffer
2 -- In the City
3 -- Shut You Down
4 -- Where's the Time
5 -- Chances
6 -- Over My Head
7 -- Ankles
8 -- Pricey
9 -- I See You
10 -- I Never Want to Know
11 -- The Big Push
12 -- Outro